Ущаповська, І.І.УщаповськаНехаєнко, Є.Є.Нехаєнко2026-04-292026-04-292021-09-02Ущаповська, І., Нехаєнко, Є. (2021). Phenomenon of the narrative from a limited third person in fiction. Мовні і концептуальні картини світу, 2(69), 136–145. https://doi.org/10.17721/2520-6397.2021.2.1010.17721/2520-6397.2021.2.10https://ir.library.knu.ua/handle/15071834/18660During the last centuries, modern English literature’s methodology developed many techniques. Due to the work of numerous translators, we can evaluate the effectiveness of this toolkit. However, despite the prevalence and availability of research materials, some aspects remain unexplored. There is a completely underestimated branch, which is narratology. Despite several similar features, studies prove that narrators can be different. The main characteristic to distinguish them is the point of view. It is worth noting that every narrative contains a combination of three points of view: narrator’s, character’s, and author’s. Considering the role of the parameter in fiction, it possible to compare it with the conductor because it determines the rules according to which the work will be organized. The purpose of the proposed research is to consider the phenomenon of narrative from a limited third person in English literature, in particular, to analyze the sources of its origin, a description of its characteristics, delineation of conceptual boundaries, and the analysis of its application. A narrative from a third person is recognizable in the text. Its distinctive feature is represented with third-person pronouns. An advantage of this point of view is the ability to give more information to the reader about the outer world. It lies far beyond the perspective of the first person. In the twentieth century, the narrative from a limited third person gained popularity. Its application implies that the narrator tells the story from the perspective of one character, unlike a narrative from an omniscient third person. This approach causes the effect of closeness, while not limited to the inner experiences of the character. Therefore, a limited third person is related not primarily to the omniscient person but also the first person.Запропоновано дослідження наративу від обмеженої третьої особи – особливого явища в сучасному літературознавстві, яке наразі посідає чільне місце на ринку художньої літератури. Запропоновано класифікацію наративів за типами перспектив, що дозволяє детально дослідити явище наративу від обмеженої третьої особи. На увагу заслуговують природа цього підходу до створення оповідей, його основоположні засади, варіації та художні штампи, якими він послуговується. _____________ СПИСОК ВИКОРИСТАНИХ ДЖЕРЕЛ Бехта І. А. (2004). Дискурс наратора в англомовній прозі: [монографія]. Київ : Грамота. Скорина Л. В. (2013). Аналіз художнього твору: науковий посібник для гуманітарних служб (філологія, літературна творчість, журналістика). Тернопіль : Богдан. Ткачук О. М. (2002). Наратологічний словник. Тернопіль : Астон. Bal M. (1999). Narratology. Introduction to the Theory of Narrative. Toronto: University of Toronto Press. Booth W. C. (1961). The Theory of Fiction. Chicago & London : The University of Chicago Press. Brooks P. (1984). Reading for the Plot: Design and Interaction in Narrative. New York : A. A. Knopf. Card O. (1988). Characters and Viewpoint. New York : Writer's Digest Books. Collins English Dictionary (3rd ed.). (1991). London : CUP. Eco U. (1979). The Role of the Reader. Bloomington : Indiana Uni­versity Press. Fludernik M. (2011). The Category of 'Person' in Fiction: You and We Narrative-Multiplicity and Indeterminacy of Reference. G. Olson and M. Fludernik (Ed.), (pp. 100-141). Berlin; New York : de Gruyter. Genette G. (1988). Narrative Discourse Revisited. Oxford : Basil Blackwell. Jahn M. (1997). Frames, Preferences, and the Reading of Third-Person Narratives: Towards a Cognitive Narratology (pp. 441-467). Durham : Duke University Press. James H. (1972). The Art of Fiction. Lincoln : University of Ne­braska Press. Lintvelt Ja. (1981). Essai de typologie narrative: Le point de vue. Paris : Corti. Lubbock P. (1965). The Craft of Fiction. London : Johnathan Cape. O'Connell M. (2011). The Empathic Paradox. Third-Person Narra­tion and John Banville's First-Person Narratives (pp. 427-447). Banville : Irish University Review. Richardson B. (1994). I Etcetera: On the Poetics and Ideology of Multi- personed Narratives (pp. 312-328). Pennsylvania: Penn State University Press. Stanzel F. K. (1984). A Theory of Narrative. Cambridge: CUP.ukfictionnarratologypoint of view (POV)narrative perspectivelimited third personхудожня літературанаратологіяоповідна перспективанаратив від обмеженої третьої особиСтаття